But there was a time, after "Fingertips Pt 2" and before "Uptight" when Motown brass looked at Stevie with a "what are we gonna do with this kid?" attitude. At a young age, "Little" Stevie Wonder was a massively talented, multi-instrumentalist with virtuoso harmonica ability. For a label who easily produced hits on the Supremes, Temptations, Four Tops et. al. they struggled to find success, or even a consistent sound, for Stevie. According to the excellent Motown Blog, "Motown Junkies" the records often had a "look at this blind can. He can sing and play the harmonica. Often quite well. Have we mentioned he's only 14. Gather round everyone and have a good gawp."
"Hey Harmonica Man" is not a great record. Stevie has disavowed his pre-21 output for the most part and has singled out this record as especially embarrassing. His voice appears to be breaking like he has just reached puberty. While the Harmonica playing is fine throughout, the lyrics are, well, not great. It has energy, and a groove, but then those Motown Session cats could put a groove behind anything. It only reached number 29 on the pop charts which, for Berry Gordy, was unacceptable. There was talk of eating Stevie's contract and cutting him loose from the label. The record that changed everything for Stevie, "Uptight(Everything's Alright)" was two years away. The jump from sides like these to what he would produce in 2 years time is like the scene in Star Wars where the Millenium Falcon jumps to hyper drive. Give it a listen.
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